Clearing the backlog

Merry Fathers’ Day to all you dads for yesterday.

I am going to take a moment this Monday arvo to answer some of the lingering questions. I do not think I will get all of them but I hope this handful will cut it for those interested persons.

To start, a few of Mr giantfan’s many inquiries:

“As asked a while ago I was wondering about the religions…”

Hmm, religions and spirituality in the Hc is the big, little explored frontier in my thinking. My understandings as a Christian certainly informs my ideas and I very much look to Messers Tolkien and Lewis for guidance when it comes to the esoteric in a secondary world – how one satisfies ones own beliefs without preaching. I most definitely do not intend MBT as some kind of allegory – I too dislike it when I detect it, yet the problem of the universal ideas of the religious, the philosophical, the soulful, of what people believe, of right ways and wrong ways of thinking need to be considered, tackled, delineated, even if only for my own ellucidation. Certainly there are the falsegods, those massive, mis-shapen, deep-ocean dwelling monsters who once ruled whole peoples and wrestled with men and the urchin-lords (the nimuines) until they were driven from the land into the deeps. Other monsters too have probably been lionized and adored and sacrificed to over the centuries – I can see some wicked brodchin-beast terrorizing some remote, backward community, satisfied by some sacrifice of tender young flesh (ick!) Then there is universalism – the idea of a godless, clockwork cosmos and the supremacy of human thought.

Then there is the hardest concept for me, that of the actual origin of the Alltgird, the world of which the Half-Continent is but a part: How did it get there? Why is there good and evil in the world? Where do the monsters come from? Why are there good the bad and the indifferent? And many such notions. I am still puzzling it all out – all a part of the fun of secondary world invention, and you get to watch me do it. The Hc and its surrounds are certainly not a complete idea, there is still so much work needed to make it function, so many gaps yet to fill.

“I'd also like to check on if that expanded map may come out with this book whether poster that you bye separate or with the book? Or whether the publishers are still sitting on the idea?”

I think that publishers these days struggle with the idea of posters (they just are not the fad they once were when I was a lad) and the next best solution is that website I keep promising. As with so much to do with the Hc, the gap betwixt my wishes and the practicalities of implementation rarely correlate. I truly hope a poster of the map is published one day: the full thing measures 1 metre x 800 mm and looks great framed (yes, I have one on my wall – a very useful tool for reference) – which is why it has not reproduced as well as I would have liked in the books. What was I thinking making it that big and hard to produce!?!?

“Were is southern Verid Litus could you give us a picture or something? (Note to self check to see if there are pics in book)”

The southern Verid Litus can be easily found on the existing map – it is quite simply the southern half of the Verid Litus (which means lit. “eastern coastlands”) consisting of such lands as the Verd Antique, the Laurent, Five Drains, Nought, Dice and Attica of old – to name a few. Essentially it is all the lands south of the mystic river Ix and north of the river Stivenrot. You’ll find it on Map 4 at the back of Foundling (p 429 I think) though it is – I confess – not easy to read all of the names there.

“Could we have a bit more info on The path of the Signal Stars?”

By this I am assuming you mean the Navigationals, the Signals of Paths used by canny folks to find their way about at night. You’ll have to wait for more info on this I am afraid – time has run out.

He would also like a preview of Book 2: “I think you’ve been asked this a few times and I know that publishers get first and last say on but how bout it?”

No previews of Book 2, sorry – I may get back to you on this but do not hold your breath.

Nina said... “I just finished Book One and enjoyed it immensely. I think it would make a fantastic campaign setting for a role playing game (RPG). There's got to be some money in it - you could ask your publisher. Check out Iron Kingdoms from Privateer Press. Their milieu is similar in some ways (pistoleers) to the HC but quite different in others (nothing like the fulghars). Have you considered and RPG addition to the franchise?”

An excellent question. Though I do not really rp any more, I did once, even going as far as producing 3 different rp systems and settings. Indeed, fulgars and skolds are (in an altered form) leftovers from those heady early years; the Hc has some of its roots very much in my rp-ing days. Consequently, it is in some small part my intention in with explicariums at the back of each MBT to give enough information to those determined enough to use as source material for a campaign setting in whatever rule system they like. I kinda want people to play around with the concepts whether rp-ing, writing, drawing – I have discovered one piece of fan fic for MBT, which was an odd experience. I do have, as part of the debris of those former years, a rudimentary rp system but do not plan on developing it into a fully realized game.

Indeed, I do not think my publishers are in the role-playing way of thinking anyways. Sorry about this, though I do hope the explicariums in Lamplighter (currently about as long as the explicarium in Foundling) and Book 3 will provide enough info for any campaigning needs. A little while ago I actually had a brief trade of emails with a fellow from Privateer Press Iron Kingdoms – a pleasant exchange (and apologies for I have forgotten his name… =/) – and would very much like to play a round or two of the game.

I find steam-punk very appealing and the way it is handled in Iron Kingdoms very tasty indeed, but I must confess that I do not see the Hc as a steam-punk world, and certainly there is no magic in the typical, D&D sense; I have actually been somewhat deliberate in steering away from the genre some, though overlap has been unavoidable. Yet my use of tricorns and flintlocks comes more from my enjoyment of Nelson’s navy and such inventions as gastrines and seltzer lamps and potives and fulgars are all a part of my attempts to define a distinct notion. Never-the-less comparison is a part of the process of assimilation and I share many of the same inspirational sources as the fine fellows over at Privateer Press.

Originality is a difficult and flighty bird, but I do strive to achieve as fresh a combination of the things that inspire as best I can, working and reworking and rethinking as much as I can to produce my own version of the vision.

I am currently about a third of the way through notebook 30, for those who want to know, and at the moment I am really puzzling through where to take Book 3. One of my more recent entries in nb#30 is about how coaches in the Hc do not have glass in their windows “… as this shatters too easily” – or so I wrote – “& so poses a risk to the occupants. Instead lights (by which I mean windows) of a carriage are shuttered with various slides and blinds an movable, lockable grilles…” I have also been puzzling over the whole creation story of the Hc, of the why of men v monsters and the divisions in the monsters themselves. This is a neat segue to the following picture...


This is the Spider Queen – also known as the Duchess of Spiders, the Arean Dutrix, the Spinnerling – a monster-lord known as a petchinin (or tlephathine), mighty creatures who are ambivalent about mankind, seeking neither the harm nor help but simply wanting nothing to do with everymen. Yet even in this ambivalence their wrath is terrible should they perceive a threat to their demesne – then they take on the nature of the cousin wretchin-lords, vengeful and swift in their cruelty. The Spider Queen rules from the Spinningwood in the Undermeer on the south-eastern banks of Slithermeer Swamp, keeping hidden in the forest deeps, protected by the thorny woods and frightful whispers of her unseen threat.

Today I will not tell you what I had for breakfast, just to mix things up a bit.

Here at last a solution to madbomber’s poser in – Half-Continent synonyms for real-world terms #010

editor = I came up with a neat term when addressing Celia Jellet (my most excellent editor here in Ozland, and Mister Travaglini (in the ol’ US of A) calling them verbemenders (“word alterers”) but that does not quite fit the bill I think – too obvious to my thinking. So I sat and thought and dug about and pulled out old note books and have begun to devise a whole hierarchy for the publishing “industry” in the Hc. So you have literarians, who publish serious works, and gazeteers, who provide the thinner works, such as the pamphlets Rossamünd enjoys. Now either of these might work on their own or be a part of a pressing house, which is essentially a publisher and printer in one establishment. Whether gazeteer or literarian, you will find emenders or formators (or formatrix for the girls) and these are your editors. Of these there will be a master formator, with two or three emenders and several under-formators in his/her charge; there are even freelancers known as emenders-at-large. Working the presses are the master plateman who has rule over the pressplates, under-platemen and the printing presses themselves. In more historied times the fore-runners of the literarian/emender was known as a glossapract, a publisher and editor in one, originally in Imperial employ to publish the bulls and banns of Imperial edict. Indeed, such fellows still exist as do such bulls and banns.

See what a helpful thing your word challenges are! (Well, I think they are anyways…)

And quickly, to Andre: it was my privilege to offer support - indeed, I am rather chuffed I could actually prove to helpful to another. Wonders will never cease.

Very Happy Indeed

I just wanted to happily and gratefully acknowledge the CBCA Junior Judges for also nominating MBT as an Honour Book. A double honour in the CBCA is so brilliantly encouraging (I know I use these words a lot but it just so true, what else can I say?). Thank you Junior Judges, I hope your Participation Certificates look snazzy on the wall.

This might be a good place to note that I am a tad disappointed with the meagre, near non-existent coverage the CBCA Awards receives here in the general OZ media (with a few excellent exceptions). It is almost as if outside of the community that is Childrens Publishing, we do not really exist - unless of course there is talk of DEAL$ Yet that is hardly a useful topic of discussion when what we are on about is children reading and adults acknowledging this as being important, indeed necessary. I do not recall caring much about DEAL$ when I was looking for books to read - indeed I still do not - I just wanted to know what was worth reading and what was not. Good thing for the electronical interweb, loads on kids lit and YA just there for the finding.

Back to more positive things I am offering belated congratulations to Omnibus (ahh dear precious Omnibus) & Scholastic Australia for their win in the 2007 Australian Book Industry Awards in the Australian Export Success Award 2007 catagory with my own wee tome (and the further books in the series - they have made a huge assumption there that there will be more books in the series - just jokes!!!) You can grab a .pdf of all the winners from the ABIA 2007 here, but only if you really want to of course.

BTW I would also like to say Happy Birthday Blogger - apparently it is its 8th birthday today! (... and now you know)

Back from Melly.

For those who are not familiar with Australian parlance, "Melly" is short for Melbourne, and I have returned as the title of this blog suggests.

As to the CBCA Awards I am so very very pleased to declare that not only was MBT 1 short-listed, it actually managed to make it as an Honour Book - which means silver, 2nd place!

Woo-stinking-hoo!

Now the book will get little silver stickers on it (well here in Australia it will) My hearty congratulations to the deep and delightful Ursula Dubosarsky The Red Shoe, my follow honour book awardee and to the wonderful Margo Lanagan Red Spikes, which took out the top spot, and deservedly so (IMHO) - though it is a shame they can not award gold to more than one. Here is the complete list of the CBCA 2007 results.

Whilst there in Melly, my wife and I had a coffee with femina and she promptly informed me that my blogging-style of writing was not at all like my book-style of writing. I had this awful sensation like my underpants were showing or something. It was a good observation, and ties in with my own struggle with style and voice. The very text you are now reading is more how I talk, it is just written conversation - does that mean my words in the MBT's are too contrived? Would the books be better if I just wrote them like this? Then again, when preparing finished illustrations I don't just scribble the first thing that comes to me - I do roughs, I model and refine a drawing till I am satisfied. In the same way when writing I wrestle with the sound and feel of my words until I am satisfied. I can sit with my head down staring at the floor for a goodly long time just trying to compose one sentence.

If I ever get to write more that MBT, if I ever get to explore this life of writing further, how much will my style change I wonder: will my books become looser - more modern, or shall my blogs become more wordy?

Anyway, enough self-consciousness! Enough navel-gazing! (omphaloscepsis I believe this is called - this is a real word not a H-c word, though I am sure I will be adapting it to something: it is just too good not to use. Perhaps an Imperial think-tank, the omphalosceptics, who puzzle and nut things out for the Emperor, who live and work in the Scepticon... hmmm...)

As to Rossamünd’s face, madbomber expressed concern at it being revealed, and it may well be that in different countries different degrees of revelation occur. Does this mean I have copped-out, I sure hope not *looks worried*. As a writer I am stubborn and argumentative, as an illustrator I am more agreeable and it was as an illustrator solving a brief that led to the drawing of Rossamünd’s profile. We will just have to wait and see.

... and yes, Mr Bomber, bless you, Dyan is a spectacular person indeed. It was more than fate that brought our paths together and I am greatful to have met her and for the strange events that lead to that meeting. Lord willing we will be working together for a long time to come.

Oh, and for breakfast today I had AllBran [TM] Wheat Flakes Honey & Almond (how beautiful do almond trees look in late winter, such burstings of blossom - I can well imagine whole forests of them, autumnlands like the Autumn of Sleep, mystic places where the urchin-lords live.)

Sooner than expected (perhaps)

Here are the answers to the many questions that have collected over the last month. My publisher in the US has asked me to post more often so here is what I hope is a good start. I am actually supposed to be getting ready to go to Melbourne for the Childrens Book Council of Australia of Awards 2007, so apologies for any irregularities in this post.

First up Arty Bel wonders... “I know this is a bit of a cheesy question but do you have any helpful hints embarking a similar career?”

Helpful hints, huh? Not a “cheesy question” at all, ask away. I think it depends on how similar you mean, because if you want to start just as I did then do a Design Degree as an illustrator and begin to write ideas for an invented world in small notebooks. Degree done, go and work in another city for a decade, still filling notebook after notebook with more ideas. This step completed head overseas on a misconceived mission for a couple of months (still filling those little notebooks), bring ruin to your plans and hopes and crashland back in your home city without a job or a place to live (other than your old bedroom at your parents house). This crucial step done, pick yourself up and head down to your local children’s book publisher and try to get some illustration work. Having got said illustration work in the form of a couple of picture books, accidentally (and I mean accidentally) drop one of your notebooks (preferably #23) in front of the boss of aforementioned children’s book publisher. In doing so have this notebook snatched up by this personage and be drilled with questions about what it is and having explained haltingly as best you can, leave publishers with a request to write 1000 words about some of the ideas in the notebooks. Last step: turn 1000 words (with much help from publisher) into 83,000 words and call it Monster-blood Tattoo: Book 1, Foundling. That is how to do as I have done.

Of course, if you were talking more generally, I feel very unsuitable for advice, above encouraging you to persevere and not to be surprised if life takes you places you had not first intended. What ever you do keep the ideas developing; try not to settle for anything too derivative rather tease your initial ideas out, massage them until they become truly your own. Is that all any help?

Kaollaku asks: “… I don't know if someone already asked this question but have you already started writing book 3 now that you're finishing up book 2?”

I have indeed started Book 3, though still do not know what it will finally be called – that is very much up in the air.

Winter asks: “So is the April 2008 date definite? Can I pen it into my schedule, or just use pencil? ;) ”

You are going to kill me but regarding the April 2008 release date I would say you could certainly put 2008 in pen but it was a good idea you asked because (unbeknownst ot me until recently) the month has been shifted to May (I know, Koallaka, I know – if nothing else it is character building) so that Lamplighter will be coming out precisely 2 years after Foundling. It is neat if nothing else. Can we expect a similar timeline for Book 3 (as yet officially titled, just a bunch of working ideas in the pipe at the moment)? Well, I cannot actually say – we will all (me included) just have to see I’m afraid.

Thank you A, D and E for MBT’s inclusion in your PhD (!!!) – goodness me that is good to hear; may I ask in what capacity I was quoted? (or is that just rude and egocentric?) I too wish the three books were out already…

Random Missfitt asks: “I saw down towards the bottom that the Jim Henson Company was interested in making MBT into a movie, is that true? or is it just some wikipedia guy getting me exited for nothing?”

(I have already answered this question but I thought I’d respond to this directly again) Well the answer there is: yes. I have just signed a contract with the Jim Henson Company for a release date to be anounced (possibly 2010 – but do NOT quote me, this is just the bee’s buzz about the net). However, the signing of a contract in no way means the film will definitely be made, but that the goodly folks over at the Henson Company (who hear loved the Dark Crystal, the Story Teller series or Mirrormask? – I certainly did and still do…) have the option to turn the books into films. So no counting eggs yet, MBT might be unfilmable in the end – who knows. Even so it is so wonderfully exciting and encouraging – an I surely hope I might be allowed to participate: it has been a long long time dream of mine to be on the production design of a film. There too is no garuntee of this, the Producers need to be able to get on with their job – so we shal see. All in God’s hands.

MooseGuy
is a tad worried about the prospect of a film. “Books do not usually translate to film well... Especially ones with lots of detail... How would viewers that would not have read the book know what skolds, etcetera, are? A lot of exposition in dialogue would have to be added wouldn't it?”

All very good points and areas of concern for me, too. However, Jim Henson Co. did what I think is such an artful and sensative treatment of Mirrormask I think they could be the best chance to make something deft and apt of MBT.

And on the mention of that “Wikipedia Guy” might I just say a big thank you to
Geracudd, Anthony.bradbury, Pearle, Paul A, Jacuc2, and very much to Tredanse – who appears to have done the bulk of the entry – for the time and energy spent logging all that information over there in Wikiland.

Another picture for Coz – just ‘cause I can.

This is Trudgette (whom giantfan has asked about – amongst other old images left lying about on the net) Trudgette is a fulgar from the Patricine, hence the rather over the top sparks about her, and not the nicest person you will ever meet – then again, I am not sure if one could ever meet a “nice” lahzar.

As for my earnest question: Would you like to see what Rossamünd looks like - have me draw a view of his face or would rather that we never saw Rossamünd’s face during the series, that I left the subtlety, the mystery, the idea of his face to you the reader? – we currently have:


1 Yes

8 No

1 Abstain

The thing is (as femina asks) I do know what Rossamünd’s face looks like – I have actually drawn it, so my question is a tad late really. So apologies to those who do not want to see his face, but you just might end up getting it anyway. Wait and see…

That poor unnamed ettin from two blogs ago has been offered several promising names; Winter suggests “…something like Lurr or Krensh or Thunk or Stoneteeth for an Ettin, but if he's smarter he might have given himself a more fear inspiring name. "The Terrible Kreznar, Crusher of Bones" Is that too corny?” MooseGuy offers Rupert “… but Rupert is not so monster-y, so maybe Urngar… take a leaf from Winter's book, Urngar the Mostly Ferocious.” Coz says “ … name the monster Cozgar.” I like Coinks' idea that “an ettin would name itself after what it likes most”, now there’s a great thought. rosiegirl offers Schnard “…dont know why,” she says, “ just sounds sinister in my head :-)” Sounds sinister to me, too.

A lot to work with there, I shall ponder some more…

giantfan asks a whole lot of things, but just to include a few for now: “How do people in Hc … greet each other? And apart from smugling what other things do Badies! (hate to use the childish term but can’t think of another word) do in this book?”

“Well betide you.” This would be a common greating. “Hello”, “Hullo” or “Hallo” are all perfectly acceptable options. “Well a’day!” another, also “Fine daisyhay to ye!” Then of course there are the greetings in other languages but time is of an essence at the moment so they will have to wait.

giantfan also wonders “Could you give us an idea of how big the book will be and will the cover be as great as the last?”

From what I can tell, the actual story text of Lamplighter will be about 540+ pages long, the Explicarium for Book 2 adding another 100 odd pages – so roughly about half as thick again as Foundling. As to the cover being “great” – we are doing our best, it certainly has gone through some changes and it really depends on what country you live in as to what you will get. The US HB edition is going to follow the US paperback design for Book 1, whereas the ANZ HB edition is going to continue along the original ANZ design. What the other publishers are doing I have no idea – the beautiful Italian edition for example is completely different again…

giantfan asked a whole lot more but these shall have to wait.

I just wanted to thank Dustin for your extremely encouraging comment and for the risks you took making the display, bearing the ire of your boss for the sake of MBT. I love that advanced uncorrected proof (I think “they” call them ubers or something) – I have a copy of my own and it is a very neat little package.

This will have to do for now… oh btw, I have a short interview up at RandomAlex - it is just below Garth Nix's interview (which reminds me that I still owe Miss Erin an interview too, sorry ma’am)

To fill the gap

Yes yes, technical issues are making it hard to get a fully realised blog to you as promised but the expanded issue is coming very shortly. The faithful regulars will be getting used to this stop start thing I suppose - certainly not my preferred method of blogging but I will get a handle on this as my crammed schedule allows.

Just have to say I have been loving the comments: a whole lot of stuff the answer there - I shall be endeavouring to get answers to all your queries, even to all of giantfan's multiple comments (you really have been digging about the net haven't you, sir, keep them coming...)

The potential names for that ettin are universally excellent and I mull over them even now; thinking a combination of some plus a bit of my own thing will be the end result - we shall see.

... and for those distressed by the fact of the wait for Book 2 all I can continue to say is very very sorry, a book is only late until it released but is bad forever - I sure hope you find it worth the withdrawal. To those who have expressed admirable patience, thank you so much. Either way I am very encouraged: it is a privilege to have people eager to read on and I can let you know that I puzzle over Book 3 even as you read. Its title is up for grabs now, any previous ideas for possible Book 3 title are no longer valid as I wrestle with what happens next.

Finally I can confirm that a contract with the Jim Henson Company has been entered in to, that a film of the MBT series is possible, though at this stage there are no guarantees. There is still a lot yet to be sorted before a film can actually happen, so watch this space for any further developments. Either way, very exciting indeed.