Andrea's Dancing Bears Show Her Dead-ication to Her Favorite Band


A couple months back, I met Andrea, on 3rd Avenue in Bay Ridge, and she shared these bears which are one of the many graphic representations of the band, The Grateful Dead:








I recognized the design right off, so I asked Andrea why she chose a Dead tattoo. She responded, "because they were my favorite band ever since I was a little kid." She added, "my dad used to listen to them, so I kinda got into 'em that way."



When I asked how many times she had seen them, she told me, "I've only seen Bob Weir and Phil Lesh. I saw them two summers ago."



She initially credited this tattoo to Jim Palmer at Moon Gravel Arts in Milford, Pennsylvania, but later corrected me, via e-mail:




"i actually did that one it was the first tattoo i ever did as practice... jim did ...all of my other tattoos however ... he has great work ... u should still check him out, jim palmer is his name and moon gravel arts ... is his shop ... have a grateful day:)"



Thanks to Andrea for sharing her self-inked dead-icated tattoo with us here on Tattoosday!






This entry is ©2013 Tattoosday.







If you are seeing this on another website other than
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Taylor's New Tattoo Bridges Time and Oceans

We're returning from a hiatus with a visit from an old friend, Taylor.



Taylor first shared her work with us here back in 2010. We saw more work from her last year when she shared this incredible back piece inspired by Banksy:







Recently, Taylor shared her latest tattoo with me and I'm passing it along to you:











As you may have guessed, these are actually a pair of tattoos of the Verrazano-Narrows Bridge, which connects the boroughs of Brooklyn and Staten Island. Taylor elaborates:


"My mom and I got matching tattoos. It was also her first. For some [people] the Verrazano Bridge is just a pretty bridge connecting Staten Island and Bay Ridge [Brpoklyn]. For me and my mom its where it all began. She moved to Shore Road [which runs along the Verrazano Narrows] from Germany when my parents got married.


Every childhood memory I had was by that bridge. Unfortunately my parents got divorced and I moved with my mom back to Germany.


I've been living in the neighborhood for almost 10 years again without my mom, but the Verrazano is somehow a piece of her."


Here's another, healed perspective:










I love how, not only do these tattoos, bridge the past with her mom, but they also bridge the ocean that currently separates them, bringing them closer together.





Taylor credits local tattoo artist Angel Bauta, from Puncture Tattoo here in South Brooklyn with this work.





Thanks again to Taylor for sharing her tattoos with us here on Tattoosday!





This entry is ©2013 Tattoosday.





If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.


Tattoosday in the Berkshires: Sean's Corpernican Title


I met Sean last month at Shakespeare & Company, in Lenox, Massachusetts.












Sean was working at the snack bar at the Tina Packer Playhouse, but I had seen him earlier in the week in an amazing performance as Trufaldin in an adaptation of Molière's Les Faux Pas.




De revolutionibus orbium coelestium is the title of a book published in 1543 by the Renaissance astronomer Copernicus. The title, translated from the Latin, is On the Revolutions of the Heavenly Spheres.



Sean elaborated about the origins of this tattoo, which he had done at a shop in Seattle:


"I was looking at the root of the word revolt or revolution and it comes from Copernicus ... so I was wanting something that had ... the idea of revolt and revolution ... I became curious as to where the word came from ... [and] I started reading about his theory."

As regular readers of this site can tell you, I love textual tattoos, and the idea of inscribing the title of a book almost 500 years old is fascinating, because it's not just about the title, but about the ideas espoused therein.



Thanks to Sean for sharing this cool tattoo with us here on Tattoosday!




This entry is ©2013 Tattoosday.






If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Tattoo after Russia and Scandanavia

September 11, 2013

My tattoo after my recent visit to Denmark, Sweden, Estonia, Finland and RUSSIA.

Overwhelmed by my World Tattoo's recent attention and support by fellow travelers.






Re-Post: Paul's Memorial

I posted this originally in 2008 and re-posted it again in 2009 and 2011. As I've said in the past, it only seems appropriate to re-run it again today:









Earlier this month, I mentioned meeting Paul here, on the bike path that runs along the southern tip of Brooklyn.



I saved the other tattoo photo I took of Paul's work for today, the seventh anniversary of the 9/11 attacks.



What I didn't mention in the previous post is that Paul is a federal agent who grew up in Greenpoint, Brooklyn.



From his vantage point there, he watched the World Trade Center being built in the late 1960's. He was working in 6 World Trade seven years ago for the U.S. Customs Department when the towers came down, and he spent four months at Ground Zero and the Fresh Kills Landfill on Staten Island, searching for remains.



The tattoo is a poignant piece, with the sun shining between the towers. Below is Paul's badge from the Department of Homeland Security, which has evolved into U.S. Immigration and Customs Enforcement (ICE). Particulatly unusual is the depiction of 9/11 in Roman numerals:




IX XI.






I don't believe I had ever seen it represented that way before.





Like the tattoo in the earlier post, this piece was inked by Joe at Brooklyn Ink.



Thanks to Paul for sharing this WTC memorial piece with us here on Tattoosday.




~ ~ ~





We here at Tattoosday send our thoughts and prayers to all the families of  people who died on 9/11, and to the families of all of the men and women who have died since then, serving our country.







This entry is © 2008, 2011, 2013 Tattoosday.









If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.



Economous Musgrove Chapter 3

Welcome to a new week, welcome to chapter 3 - the whole chapter for it is a touch shorter than its previous two siblings. 

I have made note for second draft (if this proceeds that far... ) to check for one dimensionality in Lord Fold, and for info dumping at the very start (to see if these crimes are actually so or just simply tricks of perception versus intent). That said, as you know from MBT, I have this tendency to write rather tightly from a character's point of view, we see the world much as they see it, we know what they know, we go where they go - seldom do I do third party, author omniscient cut-aways: not sure why that is - the "Sauron effect" maybe (= we never know what the antagonists are doing kind of thing...)?

Anyhoo, fascinated to know what you all make of this week's offering - keep the comments coming.


Economous

musgrove

    
© D.M.Cornish
PLEASE DO NOT PUBLISH OR REPRODUCE WITHOUT MY PERMISSION

Chapter 3
A Fear Faced


word ~ definition …………

The next morning – and two days after the first possibly threwdish encounter – Economous found himself once more at the gate of the weird park, peering uneasily into the shadows ahead, unsure to go ahead but loath to retreat and let another day pass pinched by indecision.

It was a strangely unsettled day, low heavy clouds an unbroken pale grey, blustering winds oddly warm and unable to decide whether they were easterly or northerly – blowing down from the vast threwdish grasslands that stood between the southern city-states and their Imperial capital.

For motivations Economous did not fully comprehend, it had seemed appropriate to him to come garbed as finely as his meagre resources allowed: his shirt, longshanks and trews new washed, his neckerchief freshly pressed and tied with a full and highly fashionable gather about his throat, his coat brushed thrice and picked clean of grime. Yet he was not about to stroll naïvely into this bosom of danger. In his hand he gripped his calibrator, grateful for the five years training he had had in bastinado arts, and at his hip swung salt-pouch holding several doses of bothersalts – tiny bags of smarting chemistry to hurl at any monstrous threat. Yet, with all this preparation, all his determination, he hesitated still upon the very brink of the Mouldwood. Some echo of an upstanding citizen within fretted that he really ought tell the rightful organs of civil wellbeing about his albeit brief and increasingly uncertain discovery.

How many folk had glimpsed this creature?

As threwdish as it might be, the Mouldwood must be visited by other souls – though Economous could recall seeing anyone else.

Economous let out a short bitter bark of a laugh.

What a hoot it would be! A city full of folk holding such a shocking secret and no one telling another it for fear.
If I do tell – came the immediate counter – what then if I am believed?

The Mouldwood would surely be burned, the scorch-dead land cleared and turned into a swarming suburb or a sweltering tanning district or some other teaming cradle of filth and enginry. He for one was not about to be the cause for such despoilment.

On either turn it was all conjecture; if he had not been able yet to bring himself to even tell his beautiful Asthetica of the monstrous encounter, there was little chance of his confessing it to some starchy city master.

Some subtle movement in the gloom focused his attention and he spied a lone rabbit emerge about two score and ten yards in among the exposed roots of an age-ed olive that reached up over the single path that led so perilously – so invitingly – into the city-bound wood. A rather large specimen brown of  body and black of face and a drooping left ear, the rabbit appeared to stare boldly at Economous, almost daring the would-be fabulist to shake of his reluctance and enter the darksome park once more. Teeth Grit, Economous took one step and crossed the threshold from drab city bustle into hushed threwdish mystery, the very decision giving him momentum that took him directly to the crooked olive and its beastial watcher. As he drew close the hefty rabbit turned but rather than bounding away as Economous fully expected, it loped nonchalantly ahead with what seemed very much an attitude of haughty assurance – if a mere animal could possess such manners. Halting upon the path a little further in, it sat now to smuggly observe what its everyman guest would chose next.

What else could Economous do but follow?

Ears a-thump with rushing humours, feeling like his five-year-old self returning at last into the forbidden, forbidding hearthwood, he played the game of come-get-me with this self-important buck-rabbit, letting himself be drawn deeper and deeper until all he was aware of was the rhythm this slow, steady chase. Of a sudden, the rabbit sprang away. In a twinkling his guide was gone, breaking the fascination sharply and leaving Economous alone in this dim park, blinking like a man just waking from a long night’s slumber. Peering confusedly about, the would-be fabulist found himself much farther than he had ever ventured into the Mouldwood before, standing in a shallow dell surrounded by low olives and not a glimpse of an exiting path to be seen. All was hushed in this wooded gloom, no ringing of clatter of carriages nor faint but unmistakable cries of moll potnies, pamphlet sellers, posy hawkers, and begging songbirds, just the whoosh and gust of the fractious wind in olive boughs. The sensation of being in some isolated setting far from walls or streets or the safety of crowding people was no longer a trick of imagination but an abrupt and very present certainty. It seemed to him that the very trees ringing him about and the ground beneath knewthat he was there, marked his presence and were not entirely pleased about it.

The threwd!

He had once thought the Mouldwood untamed, yet what he previously knew was its mere fringes; here he found himself in a veritable wildwood, the darkling trees encircled so tightly – so threateningly – the warm wind clattering and  rushing in the boughs above, an ominous racket under heavy grey sky. With each disoriented step the unwelcoming watchfulness thickened, until Economous was glancing repeatedly over either shoulder and starting in fright at every twitch of branch or shadow.

Jumping at shadows…

So this all had just been a trick of rabbits after all.

Seeking to clear his overwraught mind with a violent shake of his head, the would-be fabulist regreted his descision to return to this blighted wood at all.

Think, man, think!

Though the sun was hidden fully behind the day’s dull vaporous blanket, he had a notion of finding his way out by the guide of the compass moss spread up and down many trunks. Even an ill-attentive nilyard – metrician-prentice – such as he had once been remembered well enough that such growth was to be found only on the southern side of a tree. Yet, at first inspection, every trunk seemed completely arrayed – south, north, east and west – in shaggy grey or scaly yellow. Flinging his hands up in frustration, Economous turned completely about and in the very midst of this action caught a hint carried on the boisterous wind of what might have been …

Music?

Unsure, his head cocked against the blusters to hear better, stepping forward to follow this tenuous hint. The threwd almost throbbing at every hand, the hint resolved into a queer kind of strumming, plucking music, ringing out from the very midst of the trees.

Perhaps it is someone playing from their house on the farther side?

With every stride the sublime melody filled him, setting the fine sympathies of his creative acuity ringing, drawing him into its charm. Economous quickly found his soul thrumming in sympathy, a-tremble with an ache for a lost beauty he had never known existed. His extremities to tingling, he found himself weeping that such wondrous splendour was now no more, then felt a lift of hope as he found in the melody itself both an expression and a fulfilment of a great urgency to keep even some tiny fragment of that impossible primordial innocence alive.

Oh, such soaring marvels of ecstatic enchantment!

Was it happiness?

Was it sadness?

Was it a kind of pain?

More than anything, he wanted to be at the source of that music, to behold for himself the author of such inexplicable wonder.

Then, all too quickly, the ancient soul-invading melody ceased.

“NO!” Economous could not help but cry out his dismay.

Bereft, he stumbled on, desperate now to dwell once again and forever more in that sonorous place of memory and warmth and a clear soul. Sobbing, staggering headlong, he tripped upon some obscured obstacle and collasped hands and knees to damp cool weeds, his hat all that he carried flying from him in his fall. Jarred back to something like proper sense, Economous sat back on his haunches, shamefacedly wiping the tears from cheek and jowl. Reaching out to collect his accoutrements he began to make out a more general brightness to his right, through the dim twilight. Putting his tricorn back atop his head, he clambered to his feet and went immediately for this glowing clarity, dodging about haphazard trunks and stumbling on warrenholes or crooked roots unseen in the wild grasses.

The diffusion of light proved to be a glade, a stark cavity amongst the thickness of trees in which stood a circular house on a high foundation – an ancient ruined variety of the rounded bottomholms still built by the long-conquered Pilts out in sokelands of about Lo – its mouldering bricks fallen about its feet in weed-grown piles, its windows gaping cavities. The once high-pitched roof was collapsed and gone, its several crude chimnies half toppled and sprouting yellow soursobs and purple sweetjane from their crumbling mortar. Leaves rattling and hissing in the wind, an enormous elderly olive grew from the very midst of the ruin, its venerable beams spreading wide over the crooked rim and making a new roof to shelter it.

The watchfulness felt heaviest here, though perhaps a mite less unfriendly.

The building was so decayed that the nearest side of its great foundation had tumbled open to reveal the undercrofts within. Glory-vine was spread over the cavity, its leaves glaring crimson despite the lateness of the year and among the  bright unseasonal colour, Economous spied the buck-rabbit sitting easy as if it had been waiting there for him all along. It seemed to be regarding the would-be fabulist in reproach – if such an expression was possible in a dumb animal. Unfoundedly certain that this precocious creature would ken where the beautiful, all-conquering music had gone, Economous approached the fallen down house, that unmanning desire for the intoxicating melody rising all-too-quickly again in his bosom. Clambering to the gap he entered willingly into the the cellar gloom, the rabbit retreating before him, its coal-black eyes twinkling with a mischievous gleam from the shadows of the undercroft proper. His yearning for the return of primal melody compelling him on, he followed his fractious guide deeper, ducking his head beneath the low curve of a dark tunnel like passage that deposited him in an ill-lit cavity that must have been in the very midst of the roundhouse. Here was the basal trunk of the elderly olive tree, creaking and groaning in the wind, the wild rattling of its arid, gust-torn leaves echoing and re-echoing down into cavity until it was like a hissing clattering thunder.

Somewhere the dull distant ringing of a noonday bell came with the wind, tolling into Economous’ awareness, breaking the enthralment, leaving him bereft but sensible now to the threwd pressing in on him like an ache in his head. Something else was here with him, something much greater than any over-sized buck-rabbit, something sitting oh so very still between ancient roots in the shadowy bole of the olive.

“What is a womb-born doing so deep inside my borders?” a rasping deep voice spoke, coming as from all about Economous, its question like an inquiry made to the entire cosmos.

Though he had heard it but once before, the would-be fabulist knew this voice instantly: for it was surely the rabbit-and-cat creature!

By an instinct – unsteadily though it might have been – formed from four years of unceasing practice, Economous brandished his calibrator and shifted his feet reflexively to the first defensive stance.

The shade stirred. “You will not be needing sticks nor the fine tricks that go with their wielding, young everyman,” the sonorous voice crooned from one corner or another, from above and from below.

Transfixed between terror and the need to know, to properly and fully see, Economous watched eyes wide as the shade silently stood – or more truly, unfolded. Getting taller and taller still as it unbent, until it finally rose erect, towering over him on long slender shanks bent awkwardly like a rabbit’s, and ending in feet of downy rabbit’s paws. Great ears upon his head – rabbits ears, he realised, but surely two foot or more in length themselves – made it more enormous still. To Economous’ astonishment, it wore a frock-coat of rich glistening indigo – such an expanse of cloth that could have garbbed Economous three times over – embroidered on its cuffs and at its hems with curling frolicking rabbits in golden thread. He knew well enough that monsters sometimes stole and dressed in clothes, but to actually see something so alien and bestial dressed as fine as any aristocratic soul of the city was disturbing, incongruous and charming in one.

The blustering element chose its own moment to bring drama to the meeting, clouds splitting for a moment to let warm spring light upon the countenance of the monstrous thing. The face was more terrible and even more cat-like than first impressions told, the pale eyes narrowed and feline and fixing him with a sharp, shrewd gaze.

“Well-a-do, brave everyman,” it declare in that low rasping, “I am the Lapinduce, the Duke of Rabbits, true lord and master of this city.”

Tracy's Owl for Jamie

I ran into Tracy last month in a drugstore in Penn Station.



She agreed to share this tattoo on her arm:







The name "Jamie" refers to her son. This is a mother owl with a protective wing over a baby owl, whose head can be seen resting in the middle of the mama owl's chest.



This was inked by the talented John Reardon at Greenpoint Tattoo Company in Brooklyn. Reardon's work has appeared countless times on Tattoosday, and it's always an honor to feature his work on the site. Readers may remember this narwhal by him which we featured back in June.



Thanks to Tracy for sharing this lovely tattoo with us here on Tattoosday!




This entry is ©2013 Tattoosday.






If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Economous Musgrove Chapter 2 Part 2

Hello hello, I hope you have all been well over the last week, and I hope you enjoy this next instalment.



Economous

musgrove

    
© D.M.Cornish
PLEASE DO NOT PUBLISH OR REPRODUCE WITHOUT MY PERMISSION

Chapter 2
A thing that ought not be
part 2

Asthetica’s arrival provoked her mother, Madamine Grouse, to emerge from the ground floor door of her private sanctums. Tall and still slender despite three children and being well on the reverse slope of her prime, she bustled out with a hiss and rush of many silken skirts like a sea-born gale to throw her arms about her daughter.

“Oh oh, my wenigblüte!” she cried, her accent thick with the Gottish roll despite many years away from her homeland far across the Pontus Canis to the south-east. “My little blossom! Home to me once more. How I dread that someday it will be a skopp-boy instead to tell me that you are ground to powder under the wheels of those awful flecheschatchel and be returned to me as nothing more zan a sack of powder.”

“Mama…” Asthetica glanced the merest long-suffering glance to Economous. “You know full well I do not work with the gastrine mills, mama,” she continued her role in the game. “The worst I might suffer is to be smothered under a great pile of paper.”

These two played much the same game every time he was there to witness he beloved’s workday homecoming.

“Oh, how can you say such horrors to your dearest old ma-ma!” Madamine Grouse demanded with a pitch close to a wail. “You know how I fret myself to frays over you with untermensch – monsters – loose on every turn and circuit…”

At this a tall man entered the vestibule and graced the entire scene with a broad, knowing smile but saving his longest most oily looks for Asthetica herself. Though only a few years ahead of Econmous in age, the fellow was entire vaults filled with coin ahead in quality of dress.

It was Monsiere the Lord Sprandis Fold, Reive of Lot-in-the-Hole.

So far below the man in station that a mere word from him could have them wisked off to the Duke’s Bench, Binbrindle and Economous immediately bowed – just as they ought – offering a duet of “M’lord” as they did.

The Reive scarcely apprehended them, releasing them from their obeisance with a flick of his velvet-gloved hand.

Glossy was the only word Economous could think to describe the man as he straightened: glossy brightblack slippers, glossy silken trews, glossy plum longshanks and matching frockcoat, glossy fullbottom wig of fashionable silver, and – worst of all – betwixt glossy locks and glossy white neckerchief, a glossy unblemished smile. What woman would not be swept up by such dazzling cockery?

A pearl would be shamed to stand in this man’s presence, Economous concluded sourly feeling very drab indeed. He could not even dismiss the fellow as a high-stepping fluff; for primped and fashionable as the Reive of Lot-in-the-Hole might have been, he had not strayed into the kinds of sartorial excesses – huge bows, enormous ruffled neckerchiefs, fur-lined everything – of a vain and ludicrous dandidawdler.

“The Lord Fold has so very kindly brought me home today, ma ma,” Asthetica declared with pointed attention to her mother, yet her cheeks flushed with such pretty pleasure at such a focus of male attention.

For the merest pulse of a humour Economous was certain he witnessed an  expression of utter horror twist the mother’s face as she comprehended just who it was that stood resplendent in her shabby vestibule. However grandiose her ambitions for her daughter, it had clearly never figured in her reckonings that Asthetica would bring her exulted prize home.

“A kindness indeed, my gracious Lord,” Madamine Grouse proclaimed with a shrill display of delight, curtseying low with a cracking of knee joints and back bone. “Such more zan any others can do for my wenigblüte, I am sure,” she added with the briefest, sidelong scowl at the two lowly gents left hapless on the stairs.

“T’was a trifling, good lady.” The Lord Fold took the lowly landlady by the hand becked a genteel bow as she were a duchess of state herself.

Eyelashes fluttering girlishly fast as any bee’s wings, Madamine Grouse palid face transmuted to a scarlet hue Economous had never thought possible in such a habitually sour mien. Fer several beats her mouth made breathless “oh’s” of delight, until she finally declared, “Such handsome treatment, sir! Such handsome treatment!” Released once more, the madamine took Asthetica by the hand and drew her daughter towards the door of their ground floor apartment. “If you please, my lord, allow me und my delight some moments to refreshourselves,” she said with a harsh and nervous laugh, bobbing and nodding obsequiously even as she retreated.

“Refit and refurbish, a-hey – as the vinegaroons on the docks would say,” Bidbrindle offered with a friendly chuckle.

Backing through her domestic portal, Madamine Grouse glared at him from the shrinking gap, her eyes communicating perfectly just how inappropriate such terms were to be applied to ladies, and in the presence of gentry too!

Awkward, throat-clearing, foot-shuffling minutes commenced  and ground on. Leaving the two lesser men unreleased, Lord Fold seemed quite content to stand in silence, leaning on his silver-topped baton and staring at a yellowing patch in the green paint above the Grouse’ family door. He paid no mind at all to the other two men, yet neither Economous nor clearly the violin-maker had felt themselves unable to go on with their own small, pointless lives.

With a stout ruttle, Bidbrindle bravely undertook his marvellous tale of the black-elder viol on the Reive who looked at the violin maker in a show listening but clearly barely comprehended him nor saw the need to.

At the place in Bidbrindle’s telling where the rosewood was being ordered from Turkmantine, the Reive suddenly spoke. “You there!” he demanded of the violin-maker, stopping the poor fellow dumb. “Go out to my fit and let my bridleman know I shall be some time yet.”

“How will I know which fit is your, m’lord?” poor Bidbrindle asked, even as he moved to comply.

To this Lord Fold arched a brow and gave an impatient nod. “It is immediately outside. I can assure you, you will tell it from all others…”

Whether by strength of wind or a trained and broken soul, Binbrindle becked and humbly obeyed, stepping outside.

As the heavy front swung open then shut again, Economous caught a glimpse of two heavy set fellows without, waiting on either side of the door : the Reive’s spurns – his personal guards – little doubt, glowering at all passers and patently ill-at-ease.

Abruptly the Reive fixed his attention on Economous. “I do believe I know you, man,” he declared bluntly.

“M – me, m’lord?” Economous blinked.

“Aye indeed, man,” Lord Fold returned. “I have been puzzling on it o’er and o’er these many minutes gone, ‘Where is it that I have beheld such a distinctively lank-locked and  underfed face before? I never forget a face, you see. Once seen, it is in,” he tapped his smooth brow with a velvet-gloved finger. “And now I have it!”

Lank-locked, Economous did not hide his frown. Underfed! “And where have you seen me, m’lord?” he asked if only to divert his offended sensibilities.

“At the great gala that strutting foreign duchess-heir held at the fore o’ month: you were a scribbler there scribbling all the illustrious faces. My how you must have been agog to be surrounded by such glories, such heights of society – it’s a wonder you could draw at all. Still, my wife was well pleased with your work.

Wife? Economous’ scandalised mind lurched. Had the man meant to tell this? He was clearly careless of his company, but surely the Reive was not thiscontemptuous?

Lord Fold went on without a pause, as if nothing so extraordinary had passed his indulged and pouting lips. “‘Tis pity that that appalling Branden Rose dame was your first employer, m’boy, else I might have had you along as a curiosity at my own upcoming Lestwich Tide. Were she still here I would absolutely have to have you, but she is – as the papers say – run off again on some outrageous errand, no doubt to marry some monster if the buzz about certain circles is to be believed… It is a wonder the Emperor did not demand an explaining when he was with us a fortnight ago. She, of course, was not in the city – but if I were he I would have summoned her right back from where’er she is supposed to have slunk off.”

In his growing dismay Economous barely remarked any of this.  Asthetica cannot surely know that he is wed already, can she? “You said have a wife, m’lord?” he said, daring to draw out the appalling revelation so carelessly disclosed.

Yet in the very moment of utterance he was saved  what would have most likely been a dangerously withering remark and the more dangerous ire of a well placed peer by the racket of the simultaneous return of Bidbrindle back from street and Madamine and Miss Grouse emerged again from their boudoir.

Dressed in fold upon fold of glistening cloth-of-silver draped over petticoats of blood red then pristine white, Asthetica stopped all noise dead with her expensive splendour.

Gazing at her with cool yet patent hunger, the Reive crooked his arm for Asthetica to lay her hand upon, which she now did with a mannered kind of grace. He then said something he obviously found funny for he laughed loud and look-at-me drawing a shrill bray of uncomprehending mirth from the two women as he swept his beautiful companion out and away.

Dumbstruck, Economous watched them leave, utterly flummoxed as to how it was he could save Asthetica from heartbreak and shame without shaming her or breaking her heart instead.

Stamping her foot to get attention, Madamine Grouse gave a scornful sniff.

The young man and the older look at her as one.

“I have reckoned ze new rent arrears to ze start of spring,” she said with sharp tones so very appropriate to such sharp practice. “You owe me ze difference!” she proclaimed sourly without looking either man in the eye and slammed the door.

Turning and climbing the stairs to his own apartment, Bidbrindle tipped a knowing nod to Economous, as if he and the young concometrist belonged together in the same hopeless chase. “Raised rents equals fine dresses, methinks,” he said with a smirk, and retired.

Clearly too age-ed and frowsty and full of dull stories, that Bidbrindle fathomed his own cause with Asthetica to be a thin ruse was admirable self-knowledge; that he thought Economous was his fellow member in such a forlorn school was a bitter brew. Feeling thwarted and furious with himself, Economous climbed the shuddering, groaning flights to his cramped garret and lay a-bed on his tandem chair among the frames and boards and the greasy smell of seed oil, the gusting turmoil without a perfect twin of that within.

Was he to let all of his life be stymied by fear?

Was everything he reached for to be somehow snatched away as impossible?

Yet as wind battered angrily against the narrow shutters, it seemed to him that facing the Mouldwood was a less frightening prospect than exposing the blackguard Fold and laying himself soul-bared to Asthetica.
 

I will act then, he determined and with that, fell asleep.

Cecilia's Spiritual Dreamcatcher (at the NYC Urban Tattoo Convention)

Even though the 4th annual NYC Urban Tattoo Convention was at the end of June, I'm still reliving the experience through posts of tattoos I saw there.



While speaking with one attendee named Cecilia, she pulled her shirt up to reveal this dreamcatcher tattoo on her ribs:








I recently followed up with Cecilia and asked her specifically about the tattoo.



First, she credited this lovely work to Kristin Lowery, owner/artist at South Seas Tattoo in Hilo, Hawaii, who used a feather Cecilia had found in New York as reference material. She said she was "pretty sure, after researching, [that] it's a hawk feather."




Cecilia was very detailed, explaining the spirituality behind this dreamcatcher:



"... I wanted to incorporate something like a dream catcher using the symbol of the 3rd chakra ... the hawk - in animal spirit medicine/as a totem in Native American tradition means


-messenger of the spirit world
-focused power
-power to see/clear vision
-connection to spirit, spiritual awareness


I got [the tattoo] on my left side which represents the feminine and I got it on my rib cage for it to land close to my heart and aligned with the 3rd chakra solar plexus and heart chakra.


Chakras are energy points in the human body.


3rd chakra is a energetic center for empowerment, where your ego lives, where your inner warrior develops and where you decide who you are and project it out unto the world. It is from this place that our principles are born and developed, and where our codes for living get created and maintained. It is from here that we assert our will and stand up for 'who we are.' Self-esteem is the result of the third chakra.


[This tattoo] represents for me a rite of passage to connect with my true nature, to gain spiritual awareness, to own my power and to become the person I was meant to and fulfill my purpose in this lifetime!"

Cecilia's spirituality should come as no surprise, as she is an New York-based artist, whose photography can be seen here. You can also visit her Etsy shop here.



Thanks to Cecilia for sharing this lovely tattoo with us here on Tattoosday!




This entry is ©2013 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Tina's Lovely Lace Tattoo

Earlier this summer, I was standing on the subway platform at 34th Street, waiting for the A Train, when I noticed an incredible tattoo on the hand of the woman sitting on the bench next to me. I introduced myself to Tina, and she allowed me to take pictures of this very unusual tattoo:







That's the outside of the wrist. Here is the inside part:







Tina credited this work to Laura Babsie Gardner, formerly of Kitchens' Ink Tattoo & Art Gallery in Denver, Colorado. Laura is currently working out of Madeline Hair Design in Denver.



She explained to me that Babs had told her she "always wanted to do a lace doily tattoo and I said 'Sure, let's do it.' "



It's a really interesting application of grey and white ink.



Thanks to Tina for sharing this wonderful tattoo with us here on Tattoosday!




This entry is ©2013 Tattoosday.






If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Jonathan Moody

Generally, we celebrate tattooed poets during National Poetry Month, but is there ever a bad time to embrace poetry and the inked wordsmiths who ply the trade?



Earlier this month, we received this photo from Jonathan Moody:






Photo by Ricardo Alanis

Jonathan wanted to share the tattoo you can see on his right forearm. He explains:


"In anticipation of my first-born seed, Avery Langston Moody, who will be due on October 29th, 2013, I wanted to get my first tattoo. After searching on-line, I found a salient piece of artwork that contained two tattoos in one: an ankh superimposed over the Eye of Horus. The latter symbolizes my philosophy on fatherhood and writing, and the former underscores my wife’s personal struggle to conceive a child. In Egyptian mythology, The Eye of Horus represents protection and sacrifice. In other cultures, it symbolizes a human’s capacity to 'see beyond.'  As a husband and a soon-to-be father, I am a protector and am willing to offer myself as a sacrifice if my wife or son were ever in harm’s way. As an artist, I perceive the world via an alternative (i.e. creative) lens. At times, what appears in front of the artist can prevent him or her from focusing on the big picture; however, those who can access a higher plane of consciousness can look into the world as opposed to at it.



Possessing the ability to interpret and/or create metaphor is one byproduct of accessing a high level of consciousness. Technology, comet, dinosaur. To the person looking at the world, those three words are unrelated. A person looking into the world could create a metaphor that shows how all three words are linked: Technology is a comet obliterating any dinosaur roaming in the field of education. Metaphor is a bridge between seemingly bizarre connections. The Eye of Horus tattoo on my right forearm reminds me that my poetry should 'see beyond' what is possible to the eyes of the average reader.


The ankh is symbolic for life and fertility. Over the course of five years, my wife has struggled to achieve the latter. She’s battled endometriosis and ovarian cysts. Injected numerous fertility drugs. Endured a failed IUI. Fortunately, in January of 2013, her first IVF attempt was successful. Now, seven months into her pregnancy, she has a three-pound hyperactive boy kicking her right side nonstop.



Anyone who looks at my forearm tattoo will merely see an ankh superimposed over the Eye of Horus, not my wife’s fertility struggle intertwined with my struggle to become a paternal figure. As Larry, the tattoo artist at Dago’s (off of 45 South), pressed the stencil against my forearm and started doing the outline, I had considered telling him the background story. Instead, I focused. Focused less on the pain and more on keeping my right arm still for thirty minutes. Did not want the ankh to be mistaken for a lollipop."

We're honored that Jonathan chose to share this very personal story behind this tattoo. Congratulations to him and his wife on the upcoming birth of their son!



Jonathan also sent us this powerful poem, which references his ink:



SPAWN



I came to Half Price Books

hoping to find hidden Todd McFarlane

gems in graphic novel bins,

but there were as many cop cars

behind my ride as there are traffic

lights in Fresno, Texas.



My fam told me that’s how Pearland

police rolls: pulling

people over for driving three miles

above the speed limit; for not

signaling when switching lanes.



Green paint dripped

off my Chevy Caprice as if it melted

in the triple digit heat, but I was chill

chill even though the white furry dice

dangling from the mirror served as a reminder

that Driving While Black was a gamble;



I’m a veteran actor. Spent

my whole career playing the role

of an innocent man who’s convinced

himself he’s done something wrong.

This scene, no different.

Only one take to look terrified

cops would discover Colombian

raw hidden beneath

the passenger seat.



My motivation: stay alive

& return home to my pregnant wife,

so I turned down the bass

& stopped rhyming

along with Chuck D.

Exercised the right to remain

quiet on the set.



Thought I was chill chill,

not the irredeemable

monster spawn who made

a deal in Hell so he could



come back to Earth & avenge

the deaths of defenseless people

whose lives were snuffed

by the police bullets

their taxes bought.



But I felt the six hour copacetic

cosmetics job it took for me

to look human became ruined

from the sweat trickling

down my forehead:

probable cause that deep

inside I resembled

the irredeemable monster spawn

Society made me out to be.



Regrouped. Visualized

my Freedom scraping

against the coral reef of hard time.



Stuffed the license,

registration, & proof of insurance

into my smart mouth,

& feared my acting chops

would peel away like the dead

skin around my freshly

inked ankh.




~ ~ ~



Jonathan Moody received his MFA in Poetry from the University of Pittsburgh and his BS in Psychology from Xavier University of Louisiana. He’s also a Cave Canem alum whose poetry has appeared in African American Review, Crab Orchard Review, Gathering Ground: A Reader Celebrating Cave Canem’s First Decade, The Pittsburgh Post-Gazette, Xavier Review, and numerous other journals. In 2012, he was selected by a committee to be a featured reader in Houston’s Public Poetry Reading Series. Moody also appeared in Houston’s 2013 Word Around Town Poetry Tour lineup. He is the author of The Doomy Poems (Six Gallery Press, 2012) and lives in Fresno, Texas, with his wife.



Thanks to Jonathan for contributing to the Tattooed Poets Project on Tattoosday here in August!










This entry is ©2013 Tattoosday. The poem and tattoo are reprinted with the poet's permission.






If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.